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	<title>Comments on: FOUR IDEAL HOUSES: First Year Studio 2012</title>
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		<title>By: Nora</title>
		<link>http://lebbeuswoods.wordpress.com/2012/05/14/four-ideal-houses-first-year-studio-2012/#comment-6109</link>
		<dc:creator><![CDATA[Nora]]></dc:creator>
		<pubDate>Sun, 01 Jul 2012 10:36:25 +0000</pubDate>
		<guid isPermaLink="false">http://lebbeuswoods.wordpress.com/?p=9936#comment-6109</guid>
		<description><![CDATA[I do not agree with you. I was at the exhibition and the pyramid seems the best from all others.]]></description>
		<content:encoded><![CDATA[<p>I do not agree with you. I was at the exhibition and the pyramid seems the best from all others.</p>
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		<title>By: lebbeuswoods</title>
		<link>http://lebbeuswoods.wordpress.com/2012/05/14/four-ideal-houses-first-year-studio-2012/#comment-5839</link>
		<dc:creator><![CDATA[lebbeuswoods]]></dc:creator>
		<pubDate>Sat, 26 May 2012 14:21:29 +0000</pubDate>
		<guid isPermaLink="false">http://lebbeuswoods.wordpress.com/?p=9936#comment-5839</guid>
		<description><![CDATA[Donatella: As you know, the creative potential is there, even at 18 or 20. All it needs is the challenge and the method to liberate it. And that is the teacher&#039;s task. Thank you for your encouragement.]]></description>
		<content:encoded><![CDATA[<p>Donatella: As you know, the creative potential is there, even at 18 or 20. All it needs is the challenge and the method to liberate it. And that is the teacher&#8217;s task. Thank you for your encouragement.</p>
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		<title>By: Donatella</title>
		<link>http://lebbeuswoods.wordpress.com/2012/05/14/four-ideal-houses-first-year-studio-2012/#comment-5832</link>
		<dc:creator><![CDATA[Donatella]]></dc:creator>
		<pubDate>Fri, 25 May 2012 15:34:12 +0000</pubDate>
		<guid isPermaLink="false">http://lebbeuswoods.wordpress.com/?p=9936#comment-5832</guid>
		<description><![CDATA[Lebbeus, I am in absolute awe by looking at the quality of the work that you are able to obtain from first year students. I very much appreciate the method, that allows for rigorous and yet evocative design. As always, you are of inspiration to us as architect, thinker and educator. Thank you.]]></description>
		<content:encoded><![CDATA[<p>Lebbeus, I am in absolute awe by looking at the quality of the work that you are able to obtain from first year students. I very much appreciate the method, that allows for rigorous and yet evocative design. As always, you are of inspiration to us as architect, thinker and educator. Thank you.</p>
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	<item>
		<title>By: Terrapol</title>
		<link>http://lebbeuswoods.wordpress.com/2012/05/14/four-ideal-houses-first-year-studio-2012/#comment-5801</link>
		<dc:creator><![CDATA[Terrapol]]></dc:creator>
		<pubDate>Mon, 21 May 2012 07:08:01 +0000</pubDate>
		<guid isPermaLink="false">http://lebbeuswoods.wordpress.com/?p=9936#comment-5801</guid>
		<description><![CDATA[Liking these models a lot. Once again, another extremely evocative futurist formal vision. I can see the trace of your hand in them Lebbeus although i cant really see how as &#039;ideals&#039; these might progress beyond the exercise you&#039;ve devised. Not exactly architecture for the masses now is it.

I recently had the pleasure of visiting Hiroshi Hara&#039;s skyscraper in Osaka and i see a similiarity between your work and some of the more gothic elements of Bubble architecture. Im thinking of Shin Takamatsu and Hiroshi Hara specifically - theres certainly something of the night, something gothic in the creation of these windowless spaces, the deep materiality, and idiosyncratic detailing which is really refreshing to see. As if the craft of the architect as designer of alternate spaces, alternate visions, hadnt completely vanished. The architects hand is clear to experience in the physical work, and when its done well, can be such a joy to discover.]]></description>
		<content:encoded><![CDATA[<p>Liking these models a lot. Once again, another extremely evocative futurist formal vision. I can see the trace of your hand in them Lebbeus although i cant really see how as &#8216;ideals&#8217; these might progress beyond the exercise you&#8217;ve devised. Not exactly architecture for the masses now is it.</p>
<p>I recently had the pleasure of visiting Hiroshi Hara&#8217;s skyscraper in Osaka and i see a similiarity between your work and some of the more gothic elements of Bubble architecture. Im thinking of Shin Takamatsu and Hiroshi Hara specifically &#8211; theres certainly something of the night, something gothic in the creation of these windowless spaces, the deep materiality, and idiosyncratic detailing which is really refreshing to see. As if the craft of the architect as designer of alternate spaces, alternate visions, hadnt completely vanished. The architects hand is clear to experience in the physical work, and when its done well, can be such a joy to discover.</p>
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	<item>
		<title>By: z</title>
		<link>http://lebbeuswoods.wordpress.com/2012/05/14/four-ideal-houses-first-year-studio-2012/#comment-5799</link>
		<dc:creator><![CDATA[z]]></dc:creator>
		<pubDate>Sat, 19 May 2012 18:46:02 +0000</pubDate>
		<guid isPermaLink="false">http://lebbeuswoods.wordpress.com/?p=9936#comment-5799</guid>
		<description><![CDATA[cylinder + cone. nice work to all really]]></description>
		<content:encoded><![CDATA[<p>cylinder + cone. nice work to all really</p>
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